May 25, 2013
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Posts tagged: The Clash

Toppa Top 10: The Ten Best Bob Marley Covers


Words by Raine Martin and Jesse Serwer—

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Free Britannia: Reggae Britannia Documentary Goes Online

Words by Eddie STATS Houghton

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You may remember we mentioned this excellent new BBC documentary exploring the impact of Jamaican music on UK pop culture from the 1960s til now. Unless you were actually alive during the 60s and have suffered short-term memory loss from your lifestyle choices, in which case it was here and then here. Anyway, what we’re trying to tell you is that it has now been posted online in all its glory. The unlisted upload smells like piracy, so if you live outside the UK and can’t get it any other way, jump on this train while you still can! Watch below for great historical footage, an unseen interview with the late, great Sugar Minnott (and much more). That’s what we’ll be doing.

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Ari Up, 1962-2010

Words by Jesse Serwer

Punk-reggae fusionist Arianna Forster, AKA Ari Up of the Slits, has died at age 48 of an unspecified “serious” illness, according to her stepfather John Lydon (yes, Johnny Rotten was her stepfather). The all-female, barely-teenaged Slits were, along with the Clash (whose Joe Strummer, it is said, taught Ari how to play guitar), among the first punk acts to inject their sound with a heavy dose of reggae flavor. Like any worthwhile punk band, they flamed out just as quickly as they arrived, releasing just two albums—1979′s Cut (its notorious cover art depicting the mostly underaged band mostly naked, but for some mud) and 1981′s Return of the Giant Slits—before disbanding. Up, however, immersed herself deeper into Jamaican culture and reggae music following the legendary group’s demise, recording with dub producer Adrian Sherwood as the New Age Steppers in the ’80s, growing epicly long dreads and, eventually, moving to the Jamaican countryside and, later, Kingston. (She later split her time in Flatbush, Brooklyn as well). In yard, Up rolled with Stone Love, and adopted the nickname “Madussa,” she told the Montreal Mirror, after Jamaicans began derisively calling her Medusa for her unusual look.

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2000Tone: Punky Reggae Lives!

Words by Eddie STATS Houghton

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In the recent Shabba issue of FADER I described dancehall like this:

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