Words by Jesse Serwer—

This week we’re reviving our long-dormant hip-hop x reggae column Heds and Dreds to discuss the growing trend of ’80s dancehall samples in rap songs.
Words by Jesse Serwer—

Spragga Benz’s Shotta Culture album from 2010 was one of the best dancehall albums in recent memory, and it’s still bearing fruits. Nearly after two years after the Salaam Remi-produced LP dropped, we now have a video for the album’s “Get that Dough.” While “Get that Dough” might sound like just a shotta anthem, the Miami-shot video turns it into an anthem for all working people, as Spragga collects an assortment of (legal) hustlin’ vendors and brings them out on his private boat. Get that dough!
Words by Jesse Serwer—

Today marks the one-year anniversary of the death of one of the modern era’s greatest recording artists, Amy Winehouse. As we pointed out in the story we published two days later, “Amy In The Sun,” beyond the vintage soul and jazz she was known for, Amy was also greatly inspired by reggae and Caribbean culture in general, an influence that manifested in a number of great but often overlooked records. As it happens, we just sat down with Salaam Remi, the producer behind many of those records and Amy’s closest musical collaborator, at his Miami studio just the other day (Look out for our full feature on Salaam coming soon). Naturally, Amy came up and, in light of today’s anniversary, we thought it was only appropriate to share that part of the interview here.
Words by Jesse Serwer—

Nas has been on a roll leading up to his upcoming Life is Good LP, beginning with last summer’s invigorating “Nasty” and, most recently, the highly personal “Daughters.” It’s the SuperCat-sampling ‘The Don,” co-produced by Salaam Remi and the late Heavy D (as well as Da Internz), that gives us hope that Nas might finally be set to break the curse of mediocre post-Illmatic albums. This song just hits hard in a way no other rap tunes are hitting right now, while Nas’ inclusion of SuperCat (not to mention production from a pair of Caribbeans in Salaam and Heavy) is a positive sign for those hoping reggae-inflected hip-hop will make a comeback.