May 24, 2013
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Posts tagged: King Stitt

Top Ranks: Kevin Lyons x Miss Lily’s Variety

Words by Jesse Serwer—

Last year visual artist Kevin Lyons staged a show of his work called Red, Gold & Green for Paris’ Colette gallery, inspired largely by the aesthetics of dancehall and Jamaican music culture. “The language is fantastic and so fun to illustrate and draw; words like “BOOMBASTIC” or  ”COLLIE WEED,” Lyons told our Eddie STATS in a Q+A. “The letters are fat and juicy.” Among the works was a series of posters grouping similarly named artists: “SHABBA RANKS. CUTTY RANKS. NARDO RANKS. TIGER RANKS. JUNIE RANKS”; “KING STITT. KING KONG. KING JAMMY. KING TUBBY. KING EDWARDS.”

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Number One Deejay: R.I.P. King Stitt, 1940-2012

Words by Jesse Serwer—

The pioneering deejay King Stitt died Tuesday at age 61, his daughter Beverly Spark said. The first deejay to be captured on record, Stitt, born Winston Sparkes, worked under Count Machuki on Coxsone Dodd’s Downbeat Sound System in the 1950s; a decade later, in 1969, he appeared on the first of a handful of recordings from producer Clancy Eccles, including “Fire Corner,” “Herbman” and “Van Cleef” (see links below). Born with a facial disfigurement, Stitt, like many Jamaican deejays after him, turned his physical flaws into a creative asset, dubbing himself The Ugly One, and Lee Van Cleef, after the Good, The Bad and the Ugly actor. An active presence at revival concerts and events until falling ill, Stitt can be seen deejaying in British label Soul Jazz’s The Studio One Story documentary, at bottom. Rest in peace to the boss deejay King Stitt.

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Toppa Top 10: Top Gunslinger-Inspired Deejays

Words by Jesse Serwer

Clint Eastwood - 1978 - Death In The Arena       [Cha Cha LP F

The Wild West has been a major influence on reggae music since its beginnings in the late ’60s, when Spaghetti Westerns like The Good, The Bad and the Ugly were all the rage in Jamaica’s moviehouses. Initially this took the shape of reinterpreted theme music or one-off novelty tributes. By the late ’70s and early ’80s, dancehall artists were modeling themselves after gunslingers both real (John Wayne, Clint Eastwood) and fictional (Josey Wales, Lone Ranger). Many of today’s deejays have likely never seen a Western, but the influence still persists in the form of the badman, the antihero asserting himself against Babylon by any means necessary–the Jamaican answer to the gunslinger. For an illustration of this connection that’s more rooted in fact than many realize, look no further than Jamaica’s greatest movie, The Harder They Come. It is only after watching 1966′s Django in a rowdy theater that Jimmy Cliff’s aspiring reggae singer Ivanhoe goes from naive country boy to rogue cop-killer. In case the connection isn’t clear, the final scene where Ivan meets his demise in a police shootout is intercut with flashbacks to the crowd watching Django. Here’s a look at how shoot-em-up flicks inspired some of reggae/dancehall’s real-life anti-heroes.

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