May 21, 2013
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Posts tagged: Brooklyn

Burrrrrrrruppppp!, Pt. II: LargeUp Interviews Nardo Ranks

Words by Jesse Serwer, Photo by DJ Gravy—

Last week, we brought you a taste of our recent reasoning session with dancehall legend Nardo Ranks. In round two of our interview, Na-na-na-na-na-Nardo reflects on his apprenticeship on Jamaica’s Caveman Hi Power sound, his early sparring sessions with Wayne Wonder, and why New York City embraced his music before Jamaicans did. And we had to ask him for the stories behind the favorites for which he is best known: “Rikers Island” (with Cocoa Tea), “Burrup” and “Them a Bleach.” True to form, the self-described “different kind of actor, natural kind of character and human factor” delivers each tale in colorful fashion.

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Throwback Thursdays: Walshy Fire on Shinehead’s “Jamaican In New York”

Words by Walshy Fire—

Black Chiney Sound MC/DJ and LargeUp contributor Walshy Fire has been holding down Miami since forever but the Kingston, Jamaica native knows his way around New York, too. Here, Walshy (who you can also find all over the world these days, as the stage-diving, hype-building MC for Major Lazer) tells us how Shinehead’s colorful 1993 video for “Jamaican In New York” inspired him to investigate NYC for the first time.

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Biggie 101: The Notorious B.I.G. x Jamaica

Words by Jesse Serwer—

Exactly a year ago, we published one of our most ambitious and most popular Toppa Top 10 lists, highlighting the influence of Jamaican culture on the lyrics of the Notorious B.I.G, from lamb’s bread weed references to collaborations with JA singer Diana King and Super Cat. As we celebrate what would have been the iconic Brooklyn rapper’s 40th birthday today, on the 50th anniversary of Jamaica’s independence, we’re back in that state of mind. Check out some of our favorite yard-ified Biggie tunes below, or read the whole Toppa Top 10 here.

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Ticket Giveaway: “I’m Santana” in NYC

Words by Jesse Serwer—

As we revealed here last week, I’m Santana, the feature film based on the Trinidadian puppet whose viral videos have swept the Caribbean, is coming to NYC from April 17-22, for CariBBeing‘s Flatbush Film Fest. LargeUp is the official media sponsor for the screenings, and we’ve got a pair of tickets to give away to see Santana on Friday night, 4/20, at Pulse 48 in Brooklyn. To win, follow these instructions:

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Trini Puppets Take Manhattan: “I’m Santana” Set for US Debut

Words by LargeUp—

We’ve been huge fans and supporters of Roger Alexis’ “Santana” shorts so as soon as we found out the badbwoy Trini puppet and viral video sensation was getting his own full-on feature film, we knew we wanted to be involved in some way. We’re excited to announce that Flatbush Film Festival organizers CariBBeing will be bringing I’m Santana to New York for its U.S. debut this month. LargeUp is the official media sponsor for the screenings, which will be held at the Rerun Theater in Dumbo, Brooklyn, on April 17 (9 p.m.) and 18 (6 and 7:45 p.m.); Pulse 48 (formerly CPAC) in East Flatbush, Brooklyn, on April 19 (6:30 p.m.) and 20 (7 and 8:45 p.m.); and the Maysles Cinema in Harlem, on Sunday April 22 (3:30 and 5 p.m.). Get your tickets here and stay tuned for more details here on LargeUp, and on CariBBeing’s Facebook. In the meantime, keep yourself occupied with the trailer and our interview with creator Roger Alexis!

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Cross Blends: Kuduro in the Caribbean

Words by Jesse Serwer, via Ghetto Bassquake

From Vamanos’ Ghetto Bassquake blog comes an interesting report on the growing popularity of Angolan kuduro music in the Caribbean and the Caribbean diaspora. The writer, Rainstick, describes a surprise run-in with “Danca Do Sal” fom Angola’s Helder, a landmark record for kuduro—a hybrid of African and Caribbean rhythms (specifically soca), techno and house music which developed in Angola in the ’90s and has since become a major part of the soundscape in Africa’s former Portuguese colonies—on Haitian pirate radio in Brooklyn, only to learn that the sound has taken root not just in Haiti but in St. Lucia, too.

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