May 23, 2013
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Posts tagged: Bounty Killer

Heds and Dreds: The Flatbush Flavors of Special Ed

Words by Jesse Serwer

When Odd Future burst onto the scene last year, journalists and bloggers seemed amazed that kids not yet old enough to get into a club could make sophisticated rap records that were actually impressive to people significantly older than them. Back when Special Ed first emerged, in the late ’80s, teenage rap prodigies were the norm, not the exception. Still, the 16-year-old MC was definitely the “youngest in charge,” as he positioned himself with the title of his debut LP. Backed by beats from UTFO/Chubb Rock producer Hitman Howie Tee, Flatbush, Brooklyn native Special Ed made an instant splash with 1989′s Youngest in Charge, and its classic singles “I Got It Made” and the Desmond Dekker-sampling “I’m the Magnificent.”

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Style & Vibes: A Look Back At Dancehall Fashion, Pt. 3: The 90s

Words by Mikelah Rose

If you ask most dancehall aficionados, the ’90s is usually their favorite era musically. It was also the most visually stimulating era, especially when it came to the women. The dances got sexier and the fashion became just as raunchy, with “bare as you dare” scantily clad style becoming more and more prevalent as the decade went on. For this new generation of dancehall queens, it was always about outdoing the next gal with your own signature style. Popular trends included jumpsuits, ankle-length shorts, knee-length vests and jackets and pants three times as big…and that’s just the men! Some of the ladies put a feminine twist on baggy fashion with a feminine twist, while others were ready to “skin out” with g-string body suits, cutout dresses and, of course, the ubiquitous pum pum shorts.

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Toppa Top 10: Teddy King & DJ Gravy’s Top ’90s Hip-Hop x Dancehall Remixes

Words by Teddy King and DJ Gravy

Recently, our own DJ Gravy and DJ Teddy King of Boundless NY partnered on Back in Time, a mixtape gathering some of the best hiphop remixes of ’90s dancehall tunes. As you may (or may not) recall, in the ’90s it was fairly common practice for popular dancehall singles–especially ones by street-oriented artists like Bounty Killer, Supercat and Louie Rankin–to be remixed by replacing the original dancehall riddims with familiar hip-hop beats, theoretically enhancing the tunes’ crossover appeal in the States. In a few cases, such as Salaam Remi’s mix of Supercat’s “Ghetto Red Hot” and Lil Jon & Paul’s (yes, that Lil Jon) twist on Capleton’s “Tour,” these would go on to be the best known versions of these respective songs. More often, they simply became underground classics, encapsulating a time when there truly was a great exchange of ideas between hip-hop and dancehall. This kind of stuff is totally our shit, so we had Teddy and Gravy go back in time once more and run down their favorite tunes from the period (and the mixtape, specifically). —Jesse Serwer

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Mixtape Mondays: Federation Sound x 10 Deep, “Summer Murda” + Rep JA x Chinese Assassin, “Frenemies”

Words by DJ Theory

As we cruise into September, we’ve got one last summer post to close out the season proper. It’s Carnival season here in the US (make sure to check back here on LU soon for a wrap-up on today’s BK Carnival festivities), so anything else would be uncivilized. This Mixtape Mondays is so huge we don’t even know if our bandwidth will allow this much weight…

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Fashion Fridays: RepJA Summer Collection

Words by Jesse Serwer

Our friends at streewear label RepJA dropped us a note the other day to tell us their 2011 summer collection–their first since Wiz Khalifa took their profile up a notch by sporting their Gully T on his Complex cover–is out. Forget the spring heatwave, the June 21 solstice, July 4, and all of those other landmarks–the season is really on now. This time, ATL/NY-based designers Prince Graham and Omar Thomas got their inspiration from the past—see the “Uni-T” with great rivals Beenie Man and Bounty below–and the present movements like Mavado’s recent hit, “Star Bwoy.” Scan some shots from their lookbook below, and head over to their site for the full line.

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Heds and Dreds, Pt. 2: Exclusive Interview with Smif-n-Wessun

Words and Interview by Jesse Serwer, Photos by Fubz

Yesterday, we launched our new “Heds and Dreds” column by breaking down Smif-n-Wessun’s contributions to the cultural exchange between hip-hop and reggae, from “Sound Bwoy Bureill” to now. Today being the release date of Monumental, the don gorgons‘ long-awaited full-length album with Pete Rock, we’re going even deeper, chopping it up with Tek and Steele about their respective introductions to reggae, the unavoidable influence of Caribbean culture in Brooklyn, the mystery voice on the “Sound Bwoy” intro, and more. Yesterday we also premiered “This One,” a sequel of sorts to “Sound Bwoy Bureil” featuring Steele’s little bro Top Dog (of OGC and “Sound Bwoy Bureil” fame) and LU fam Jahdan Blakkamoore, but it’s so forward-worthy we had to run it again. Stream it below if you haven’t already copped Monumental, read on for the interview and if you’re in NYC, swing by the release party/photo exhibition at Tammany Hall on the Lower East Side.

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