May 20, 2013
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Throwback Thursdays

Throwback Thursdays: Walshy Fire on Shinehead’s “Jamaican In New York”

Words by Walshy Fire—

Black Chiney Sound MC/DJ and LargeUp contributor Walshy Fire has been holding down Miami since forever but the Kingston, Jamaica native knows his way around New York, too. Here, Walshy (who you can also find all over the world these days, as the stage-diving, hype-building MC for Major Lazer) tells us how Shinehead’s colorful 1993 video for “Jamaican In New York” inspired him to investigate NYC for the first time.

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Throwback Thursdays: Lieutenant Stitchie, “Wear Yu Size”

Words by DJ Autograph—

Gentlemen, have you ever been asked by a member of the opposite sex whether or not a particular article of clothing looks good on them? And in your head the obvious answer is, “No it’s too small” but in the answer coming out of your mouth is, “It looks great!”? Well the Dancehall Governor, Lieutenant Stitchie, tells us his story, over the Jammy’s produced riddim, of when one of his dates doesn’t wear her right-sized shoe because she wants to save face and to impress him.

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Throwback Thursdays: Jam & Suppose’s “Camion Lleno de Gun”

Words by Wayne Marshall—

When reggae en español first got going in Panama in the early 80s, it was all about making cassettes for local bus drivers to lure customers to their diablos rojos, and rocking outdoor parties with roving soundsystems known as discos moviles. With the beginnings of professional recording and vinyl pressing/distribution in the mid-80s— and the emergence of Spanish reggae pioneer Renato—reggae artists singing in Spanish began making inroads into national radio and, eventually, to music videos on local television. Initially, and still today, national reggae hits tended toward romantic themes (Renato’s late 80s smash, “La Chica de los Ojos Cafe,” was the breakthrough in this regard), but occasionally a more gangsta dancehall jam worked its way past censors and other gatekeepers.

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Throwback Thursdays: King Sporty’s “Do U Wanna Dance”

Words by Scott Brown

One-time Studio One studio sideman Noel Williams started out his music career under the tutelage of prolific producer Coxsone Dodd, but he’s probably better known for co-writing Bob Marley’s “Buffalo Soldier.” You can probably thank Miami, though, for the stark difference between his reggae background and “Do U Wanna Dance.”

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Throwback Thursdays x Sofrito: Lord Shorty, “Vibrations Groove”

Words by Jesse Serwer—

“I want to introduce you to a brand new musical sound called soca…it starts with di bass drum.” That’s the late Lord Shorty (later known as Ras Shorty I), father of soca music, getting his James Brown on, with an instrument-by-instrument breakdown of his then-new creation.

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Throwback Thursdays: Skadanks, “Everybody African”

Words by DJ Gravy—

Back when New York was a dangerous and cutting edge city, before the homogenization, and when reggae and its byproduct, hip hop, were still getting aquainted, a group of bright kids who went to the esteemed Stuyvesant High School together put a group together called the Skadanks.

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