May 18, 2013
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Heds & Dreds

Heds & Dreds: A Brief History of Jamaican Women Talking Smack on Rap Records

Words by Jesse Serwer—

fluffy-diva-ms-kitty

Remember when having a Jamaican chick talking trash in thick patois was a thing in hip-hop? Dr. Dre kind of set it off on the intro to his classic “Let Me Ride” from The Chronic. Two years later, Biggie (and producer Poke of Trackmasters) had a young Diana King adlibbing something fierce at the beginning of “Respect,” from Ready to Die.

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Heds & Dreds: A History of Funkmaster Flex + Dancehall


Words by Jesse Serwer—

Funkmaster-Flex

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Heds and Dreds: Slick Rick The Yardie

Words by Jesse Serwer, Photo by Janette Beckman—

Slick Rick Bally Shoes and Kangol

Slick Rick is easily one of the greatest rappers of Jamaican or Caribbean extraction. Unlike some of his yardie bredren, though, Rick didn’t make many overtures towards reggae or dancehall during his career: the style icon’s chief contribution to the Jamericanization of hip-hop was introducing yardman fashion to hip-hop in the form of Kangols, Clarks and Bally shoes. (Yep, young Ricky D. was rocking Wallabees years before Wu-Tang lionized the comfy British kicks). That and the “Children’s Story” beat, later used in one of the greatest dancehall remixes ever, Capleton’s “Tour.”

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Heds and Dreds: Bad Brains “Into The Future” Now

Words by DJ Gravy–

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Heds and Dreds: Pusha T, G.O.O.D. Music’s Top Shotta


Words by Jesse Serwer—

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Heds and Dreds: Sterling Simms, Nas, Kanye + ’80s Dancehall Samples

Words by Jesse Serwer—

This week we’re reviving our long-dormant hip-hop x reggae column Heds and Dreds to discuss the growing trend of ’80s dancehall samples in rap songs.

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