May 22, 2013
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Art

Visual Culture: Jamaican Dancehall Signs From the Collection of Maxine Walters

Words by Jesse Serwer—

For the last 12 plus years, Jamaican film and TV producer Maxine Walters—she’s had her hand in most every major movie shot in JA over the last three decades, from The Mighty Quinn to Clara’s Heart— has been archiving and collecting one of Jamaica’s most unique and overlooked visual bounties: the vibrant, hand-painted signs found in public spaces across the island. Sturdy and technically illegal, these bold homemade advertisements are nailed to poles and trees everywhere from Half Way Tree to mountain villages, usually during the middle of the night, to promote grassroots events ranging from that weekend’s bashment party to the arrival in town of a pantomime play, or all-star reggae concert.

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MontserrART: Jason “Gazoo” Allen’s Black Sand Art

Words by Jesse Serwer—

It’s not often that we get to celebrate sparsely populated Montserrat on LargeUp, nor is it frequent that someone we know as a party-rocking MC turns out to be a talented visual artist. Well, Montserrat-born Jason “Gazoo” Allen, who can be found livening up NYC nightspots like Greenhouse as a house-music MC, specializes in art made from the black sand and soil abundant on his home island since the eruption of the Soufriere Hills volcano (a 1995 catastrophe which has since cut the country’s population in half). And damn, if he isn’t doing some pretty cool things.

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Visual Culture: Art in the Dancehall

Words by Emily Shapiro—

When dancehall music bust in the 1980′s, with it came a new style of art and design. Album covers reflected the music’s raw sensibilities with over-the-top cartoons and imagery, while sound systems spread the word about their parties with bright, unique posters. These works, which were often hand-painted and generally one of a kind, continue to be peppered all around Jamaica. The intimate relationship between dancehall music and art has rarely been highlighted (though we do our part to give it its due) but our homies Shimmy Shimmy and Al Fingers have taken care of that with their exhibit, “Art in the Dancehall,” which opens today, June 27, at the BASS Festival in Birmingham, England.

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Visual Culture: Caribbean Art Takes Over NYC

Words by Jesse Serwer—

New York City is the biggest melting pot for Caribbean culture there is, so it’s affirming to see the city’s cultural institutions finally put together an event that’s reflective of this. Spread out between three venues—El Museo del Barrio (through Jan. 6); Queens Museum of Art (through Jan. 6); and the Studio Museum in Harlem (through Oct. 21)— “Caribbean: Crossroads of the World” is “the big art event of the summer season in New York,” The New York Times wrote, and “likely the most expansive art event of the summer,” according to ArtInfo.

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Nuh Badda Pass Go!: Jamaican Monopoly Soon Come

Words by Jesse Serwer—

Mr. Monopoly?

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Visual Culture: A Q+A with Atlantic Records Creative Director Greg Burke

Words by Eddie STATS Houghton:::Photos by Martei Korley:::Artwork by Greg Burke—

Jamaica-born, Long Island-raised Greg Burke has designed covers for some of the most notable albums of the last two decades, from Missy Elliott’s Supa Dupa Fly to Jay-Z’s The Blueprint 3—and a whole slew of ’90s underground rap classics, too, like Group Home’s Livin’ Proof. Currently, Burke is the VP creative director at Atlantic Records, where he oversees design packages for LPs by everyone from T.I. to Jason Mraz. In this sitdown interview at Atlantic’s Manhattan office, he shares stories from his days designing for Island, Elektra and Tommy Boy Records in the ’90s (including the particularly amusing tales of his hiring by the latter’s Tom Silverman, and a never-released design for Buju Banton), the dying art of CD booklet illustration and collaborating creatively with T.I. and Jay-Z.

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